4. November 2000 – 18. March 2001
Featuring artworks by:
Stefan Altenburger Carlos Amorales Atelier van Lieshout Julie Becker Daniele Buetti Angela Bulloch Maurizio Cattelan Marlene Dumas Urs Fischer Sylvie Fleury Alicia Framis Douglas Gordon Fabrice Gygi Nic Hess Martin Kippenberger Klat L/B (Lang/Baumann) Gianni Motti Cady Noland Gerhard Richter Christian Robert-Tissot Ugo Rondinone Jean-Frédéric Schnyder Kerim Seiler Paul Thek Rirkrit Tiravanija Piotr Uklanski Costa Vece Susann Walder Marijke van Warmerdam Christopher Wool
The migros museum will be showing works from its own collection until 18 March 2001. Since the opening in May 1996, an exemplary selection of works from the Nineties has been put together. Over a hundred new installations, videos and photographs have been purchased during the last years. In most cases it concerns the works of artists who have exhibited in the museum.
Atmosphere
1997
Single-channel video, projection or on monitor (color, no sound)
Ca. 30 min.
Amorales versus Amorales
1999–2001
Boxing ring, wood, costumes, masks, various parts of masks, color photograph on aluminum, poster, 5-channel video installation on 5 monitors (color, sound)
Ca. 200 x 600 x 600 cm
Amorales Interim
1997
Single-channel video on monitor (color, sound)
9:45 min.
Arena Dos de Mayo
1997
Single-channel video projection (color, sound)
14:24 min.
AVL-Shakertable, AVL-Shakerchair, AVL-Men
1999
Wood, polyester, polyurethane foam
Dimensions variable
Installation Saucisson
1997
Various materials
Dimensions variable
Office/Reception Unit
1996
Polyester mould, wood, steel, leather, steel wheels, fitted lights, 21 plastic connecting screws
245 x 260 x 390 cm
Golden Force Field
1999
Wood, concrete, wooden table, lamp, sheet of text, drawing with gold dust, color photograph
600 x 420 x 300 cm
Suburban Legend
1999
Single-channel video screen projection (color, sound), VHS player, LCD-beamer, static-projection screen, 3 headsets, wooden stand, wooden bench, 3 manuals
Dimensions variable
Just One More
1999
26 photographs and laser prints, fluorescent lamps, wooden slats, Styrofoam, forrex, tables, 2-channel video installation on 2 monitors (color, sound)
Club Berlin
1994–1997
3 bean bags (cotton), Perspex cover, CD player, amplifier, 3 headsets, audio-distributor box, 2 CDs
Dimensions variable
Birkenstock Care Tips
1997
Stenciled writing on wall
Dimensions variable
If a Tree Falls in the Forest and There is no One Around it, Does it Make a Sound
1998
Taxidermized donkey, television, bridles, cotton cloth, cord
150 x 154 x 46 cm
Indifference
1993–1994
Oil on canvas
100 x 300 cm
More Sweet Feelings, Worries and Other Stuff
1998–1999
India ink, pencil, synthetic resins, felt-tip pens, spray paint, adhesive tape, paper, corrugated cardboard, wood, dispersion, screws, glass
181 x 250 x 9.5 cm
Frozen
1998
Candles, dispersion, synthetic resin, wood, screws, branches, wool, nails, glass, paper, ceramic, glue
Ca. 160 x 230 x 210 cm
Leiter
1997
Aluminum ladder, acrylic, spotlight
Dimensions variable
She-Devils on Wheels - Headquarters
1997
Assemblage of various materials
Dimensions variable
First Spaceship on Venus
1995
Aluminum, steel, audio tape, loud speaker
350 x 130 x 130 cm
Contemplation Room
1998
Metal frame, glass, chairs, ash tray
300 x 300 x 300 cm
Bootleg (Bigmouth)
1996
Single-channel video projection (color, no sound)
19:42 min. Loop
Bootleg (Stoned)
1996
Single-channel video projection on 2 screens (color, no sound)
59:51 min. Loop
Trigger Finger
1996
Single-channel video projection or on monitor (b/w, no sound)
1:24 min. Loop
Bootleg (Cramped)
1995
Single-channel video projection (color, no sound)
48:19 min. Loop
Dérouleur de tapis rouge
1999
Varnished steel, blue light, carpet, rubber wheels
Dimensions variable
Kompromis nach Eiland (Erhöhung)
1999
Silkscreen and plotter letters on aluminum, various tools
Ca. 280 x 300 x 60 cm
Bilder unter Einfluss von Windrichtung I-IV (Nr. III)
1986
Oil, paint, silicon and Perspex on cotton
180 x 150 cm
Bilder unter Einfluss von Windrichtung I-IV (Nr. IV)
1986
Oil, paint, silicon and Perspex on cotton
180 x 150 cm
Hollywood
1999
Wood, light system
350 x 600 x 400 cm
Small is Beautiful
1999
Balsa wood, lighting, transformer, glass plate
15.5 x 27 x 16.5 cm
Beautiful Corner
1999
Wood, fitted carpet, glass plate, 2 tables, 10 chairs, snacks and drinks
Dimensions variable
Big Crunch Clock
1999
Digital clock, solar panel, Perspex casing, metal frame, network adapter
10.5 x 84.5 x 5.5 cm
Ohne Titel (Brick Wall)
1993–1994
Silkscreen on aluminum
153 x 306 x 1 cm
Untitled
1999
Plastic, acrylic, wood
103 x 74 x 306 cm
Ohne Titel (434)
1978
Oil on canvas
201 x 336 cm
Ohne Titel (Overlap)
1997
Acrylic on wood and wall
450 x 1100 cm
Dog Days Are Over
1996
7-channel video installation on 7 monitors (color, no sound), audio sensors
Dimensions variable
The Heart is a Lonely Hunter
1996
India ink on paper on canvas, painted wood, loud speakers, Hi-Fi unit, CD
Dimensions variable
Ohne Titel (M)
1986
Oil on canvas
95 x 95 cm
Uncle Tom's Cabin with Tower of Babel (from the series "The Personal Effects of the Pied Piper")
1976
Acrylic, welded bronze
252 x 52 x 64 cm
Sammlung – Erstellung der Werkfiles
2000
Stuffed parrot, cage, wood
Cage: 60 x 60 x 32 cm
Ohne Titel (Bon voyage Monsieur Ackermann)
1995
Opel Commodore GS coach (year of construction 1969, converted) with an on-board kitchen in the boot, iron stand with 3 video cameras, 3-channel video installation on 3 monitors
Dimensions variable
Ohne Titel (A Leaf)
1999
Color photograph on aluminum behind Perspex
102 x 89 cm
Ohne Titel (Pink Sun)
1999
Color photograph on aluminum behind Perspex
41 x 60.5 cm
Ohne Titel (Flowers)
1998
Color photograph on aluminum behind Perspex
67.5 x 100 cm
Ohne Titel (Tiger, Bursting)
1998
Color photograph on aluminum behind Perspex
49 x 40 cm
The Bomb # 1
1999
Oil barrels, plastic barrels, gas bottles, flashing lights, control system, tarps, camouflage net, adhesive tape, 3-channel video installation on 3 monitors (color, sound), 2 Audiotracks
ca. 300 x 300 x 250 cm
The Winner Is
1999
Cartons, wooden pallets, bulbs, foil, control unit
Ca. 300 x 600 x 500 cm
HIP
1997
Assemblage of various materials
Dimensions variable
Good Days, Bad Days
1996
Silkscreen on paper
50 parts: each ca. 80 x 110 cm
Ohne Titel
1993
Enamel on aluminum
110 x 76 cm
Ohne Titel
1992
Enamel on aluminum
229 x 153 cm